The Telegraph numeracy campaign has a review of Intersections, an exhibition available at The Mathematics Gallery at the Science Museum and at the Royal Society from 5 April to 20 June 2012, which “throws new light on the often overlooked common ground of art and maths”.

The article writes about Henry Moore, who drew inspiration from the Mathematics Gallery at the Science Museum while a student at the Royal College of Art in the 1920s.

What particularly fired Moore’s artistic imagination in this gallery was the collection of 19th-century “ruled surface models” – a rather opaque name for what are arrangements of strings, pulled taut between either wood or metal plates, which can then be adjusted to create complex three-dimensional shapes with exotic names like conoid, ellipsoid and cylindroid. They were built – primarily in a workshop in Munich – in an effort to make real for students of pure mathematics, as well as trainee engineers and architects, geometric forms that could otherwise only be expressed in abstract equations.

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